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This was great!

Love the conversation and learning abut this artist, what freshness and authenticity. Love the bold color!

Really got lost in this enjoyable exchange, thank you !

awesome. I feel like I stumbled across a small gold mine.

What an interesting conversation and topic. Coincidentally, I have a print of af Klint's "Adulthood" above my computer at all times.

Fantastic video, I'm currently doing research on Felix Gonzalez-Torres for my class. As an aspiring art historian, I hope to write a graduate paper on him soon!

Luca is so talented

❤❤❤❤

Hey Fran! Please do some more gallery interviews! Really different, and I love hearing your opinions on the art.

Good Stuff

This would have made Wanda cry with joy. Thank you.

I absolutely love this conversation. ❤love Fran

Fantastic installation

really amazing works. appreciate.

Excellent, thank you very much. ☀️❤️☀️❤️☀️

Thank you so much, all of you, most especially Helen. What a wonderful discussion. Julia's book now tops my list. One request: more please, always, more!

Such a great artist (and person)! I’ve seen a lot of videos and talks on Neel’ and her work, but was pleased to find this one I’d not yet come across. It’s really a great little documentary--thanks for uploading! Greetings from Oaxaca!

Love how unabashed and blunt she is, she’s a trip and so is her art.

I saw "Revisiting Vermeer" at the National Gallery of Art in Washington D.C. in 1995. I was stumped by the later, lesser quality work in the last gallery, for instance, 'Young Woman Seated at a Virginal.' My "assumption" was that the later work was painted by Vermeer in his later years when his faculties were failing, but then again, he died when he was only 43 years old. Could these later works have been painted by Maria Vermeer? Both, 'Officer and Laughing Girl' and 'Girl Interrupted at Her Music' are of lesser quality too. The 'Girl With a Flute' and the 'Girl With a Red Hat' appear to be the same sitter. I simply do not see, however, how the 'Girl with a Pearl Earring' is the same sitter too. Also, how could they be self-portraits painted in front of a mirror and, at the same time, be painted with a camera obscura? So little is known about Johannes Vermeer's practice. Even less is known about Maria Vermeer. Every painter has a unique fingerprint. The brushstrokes in these paintings, from left to right, up to down, thick to thin, must be studied with advanced scientific methods. Surely, differences and discoveries will be made if Vermeer's oeuvre were painted by different hands. The dialogue here deepens the mystery and asks important questions but we must proceed deliberately and soberly in our search for answers. We must not impose our conception to fit a preferred model of interpretation.

12:40 to skip the long intro

Very good. Thank you

Fran is amazeing. I can listen to her talk for hours. She always has an interesting take on many topics. This is a really good interview. It reminds me of life growing up in NYC in the 60's.

one of my mentor

this feels like one of those studies of art that one day turn into a study of science. There's got to be some deeper mathematical understanding of complimentary colors, and colors that change how other colors are perceived and what that means for how the brain sees light.

When I took color class, one of the first projects was to paint squares within squares. We Had to pick the same color for the inner square and see how the other colors changed/affected the inner color. I immediately fell in love with color!

I am an abstract painter (cubist). I find in cubism the forms get deranged but can still clearly resemble something we can understand. To be honest I have a difficult time connecting with most higher abstract arts and wonder if it may be an emotional intelligence issue. I don’t necessarily feel things base in scribbles and color juxtaposition?

rip

I've re-watched this interview ten times. Helen and Luc play off of each other so well and bring up so many incredible references. I'm absorbing all of this incredible intellect.

bravo aren't we lucky to have Fran even though we thought we knew it all she comes along and....boom

Very nice. I love the different aspects to Joan's work discussed. Thank you!

This painting in the background... Wow

Great channel. 🙏

AMAZING VIDEO!

What a brilliant conversation. This is what youtube is for. Thank you!

Outstanding interview...Thanks!

One of the most famous and professional Galerist in the world is my favorite DAVID ZWIRNER. ❤️👏

Joy Harjo is a multidisciplinary artist. A treasure of knowledge of our times.

English subs would be good

An interesting video I loved the interpretations and agree

The Studio, The Painter and The Museum. Fantastic conversation (these types of interviews rarely are). The right two people speaking together; only slightly surprised that one of them doesn't just say it outright at the end - Pictures have agency.

💖

❤🎉

Brilliant episode, this was a reassuring experience for me as I'm delving into the art world and trying to learn and understand how the system works and how individuals interact with artworks. What Koons said, and his mindset towards art was beautiful in that it should be accessible to everyone, and that all art is a metaphor to communicate.

Wonderful conversation. Thank you.

Thank you for the class on Alice Neal...and as always - Fran is Fran, I admire her way of thinking.

I love this woman she's an example of a real woman and mother she just happened to be an artist. She reminds me of Cassette. I just love her!!!!!!!!

His work reminds me of Francois Schuiten.

Now this is art. Thankfully is not just Doigs ane Hirsts... Theres talent under the surface.

Interesting talk!

Edward Hopper coming out from it's solitude ! Great stuff